Juried Fine Art Photography Exhibitions in a Dedicated Gallery
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Exhibit Open March 22nd  thru April 15th
Reception on March 25th 3-5PM With Door Prizes from

Exhibit Catalog now available at VioVioSpontaneous Catalog
Exhibit Calendar (subject to change)
All selected entries are exhibited in our gallery and included in a full color exhibit catalog. Juror's Choice receives a 20x35" vinyl exhibit banner featuring their image. People's Choice gains free entry into a future exhibit. We offer free matting and framing of accepted entries for the duration of each of our exhibition, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. {sharethis}
Submissions Close 22-Feb-12 Midnight EST
Selections Announced
by 28-Feb-12
Check-in Due
Work Receipt Deadline
Exhibit Opens
Artists Reception
25-Mar-12 3-5PM
Exhibit Closes

Juror: Nikos Economopoulos

Spontaneity is the hallmark for great documentary and street photography where the moments of life, often ironic, poignant, emotionally charged, tragic or absurd are frozen. Photography provides the means to capture a moment but which moment makes all the difference. Well known masters include Henri Cartier-Bresson and W. Eugene Smith with recent discoveries such as Vivian Maier and Frank Oscar Larson adding to a long list of great photographers.

Many of the scenes captured by practitioners of this art, with the possible exception of war and extreme sports documentary, pass before us every day, but we do not see. This exhibit is dedicated to those who strive to see, realize and then manifest vision and moment into an image so that we can all see what is right in front of us or inaccessible in some other way. Showing us the remarkable moments that make up the, often unconscious, Human Experience.

Juror's Statement:

What I was looking for mostly in my selection, beyond the interesting content or form, was an element of transcendence, something that surpasses what it actually describes and goes beyond. I believe that this is what makes a photo different, what makes it stand on its own, what makes it magical. Contemporary photography, in my opinion, no longer needs the 'beautiful' or 'correct' images that it massively produced in the past. I think it mostly needs the kind of photos which redefine the reality that surrounds us rendering it with a new dimension, more personal and, at times, even magical. It is the same thing that literature and the other arts achieve, recasting simple, everyday things and giving them a longer duration.

Nikos Economopoulos

Juror: Nikos Economopoulos

Nikos Economopoulos began his photography career inn 1988 with a long-term project in Greece and Turkey. He photographed whatever he came across on his daily walks: street scenes, public gatherings, solitary meanderers, or deserted landscapes. In 1990 After joining Magnum Economopoulos' photographs began to appear in newspapers and magazines worldwide. In the same year he started to take photographs in Albania, Bulgaria, Romania and the former Yugoslavia, investigating the territorial, ethnic and religious tensions of the region, as well as the endurance of traditional social and religious rites. This work earned him the Mother Jones Award in 1992.

Subsequent work includes lignite miners and the Muslim minority in Greece, people living along the Green Line dividing southern and northern Cyprus; illegal immigrants at the Greek-Albanian border; and young residents of Tokyo, mass emigration of ethnic Albanians fleeing Kosovo. He was given the Abdi Ipektsi Award for peace and friendship between Greece and Turkey in 2001. Nikos has published ten books and his work is in the permanent collections of Centre Méditerranéen de la Photographie and the Benaki Museum. He organizes a series of photography workshops in locations in eastern Europe, Asia and Africa.

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